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Mark Gregory
2026-11-05 22:27:47 +00:00
parent d348aa76ca
commit df8cb6b17d
5 changed files with 192 additions and 22 deletions
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docs/DJ_WORKSTATION.md
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@@ -10,7 +10,7 @@ The main window has two tabs: **Karaoke** and **DJ Studio**. Playback, MIDI hand
- Waveforms come from decoded audio and reuse existing waveform caches. Drag outside an active loop to seek. Green IN/OUT grips resize the loop; dragging inside its region moves it without changing its length. Shift-drag creates a loop in either waveform. The scrolling viewport freezes during a drag and resumes following playback afterwards.
- High/mid/low EQ and the bipolar filter are beside each platter. Gain and level knobs have been removed from the on-screen decks. Drag a knob vertically; double-click to reset. Knobs expose adjustable accessibility actions and current values. EQ uses the existing three-band filters; filter is low-pass left, bypass centre, high-pass right.
- Play/pause, stop-to-start, set/return cue and four set/jump hot cues are per deck. Right-click a hot cue to clear it. Use the cue-time editor to set an exact cue in seconds or capture the current playhead without moving playback. Loop ✎ opens exact start/end fields with millisecond display and Use Playhead buttons; Activate Loop validates and applies the region without pausing playback. Manual IN/OUT loops do not need BPM. Beat loops require an estimated, entered or tapped BPM; choose 1–32 beats. Loop toggles off on a second press and continues correctly at the end of a track. Changing the loop size resizes an active loop immediately, preserving its start and continuing playback; the end is clamped to track duration.
- Loading estimates BPM conservatively from up to the first 90 seconds of audio, searching 70–180 BPM; silence and steady tones remain unknown. Estimates show BPM~ and can be replaced by entering source BPM (40–240) or tapping at least three beats. Either Sync button links both decks to deck A’s effective BPM and both buttons show active. Press either again to unlink and restore both original tempos. Sync follows changes to A’s tempo; it does not align beat phase or detect a beat grid. Use the jog/nudge buttons to align beats. Tempo adjustment preserves pitch, using AVAudioUnitTimePitch.
- Loading estimates BPM conservatively from up to the first 90 seconds of audio, searching 70–180 BPM; silence and steady tones remain unknown. Estimates show BPM~ and can be replaced by entering source BPM (40–240) or tapping at least three beats. Sync buttons start grey and unlit. Clicking A makes B follow A’s effective BPM; clicking B makes A follow B’s effective BPM. Both buttons then show active. Press either again to unlink and restore both original tempos. Sync follows changes to the clicked leader’s tempo; it does not align beat phase or detect a beat grid. Use the jog/nudge buttons to align beats. Tempo adjustment preserves pitch, using AVAudioUnitTimePitch.
- The crossfader and DJ output headroom affect only DJ playback. Equal-power and linear crossfader curves are selectable. The karaoke master and saved singer preferences are independent. The wing meters show individual deck peaks, not a summed master meter. There is no master limiter; use gain/levels appropriately.
- Karaoke and DJ music can play simultaneously. The existing background-to-singer interlock is preserved, but it does not automatically duck the new DJ decks.